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click for Full Info on this Jasper Johns
Jasper Johns
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Zu einer Zeit, als der abstrakte Expressionismus die amerikanische Malkunst beherrscht und die Betonung auf khnen Farben, einem fast brutalen malerischen Duktus und zumeist abstrakten Kompositionen liegt, beschreitet Jasper Johns mit seinen amerikanischen Flaggen, Schiescheiben, Zahlen und Buchstaben ganz eigene Wege. Obwohl - oder weil - er seine Bilder offensichtlich mit groer Sorgfalt und Przision malt, wirken sie zurckhaltend, khl und ruhig, ja, distanziert und jedenfalls weit entfernt von den emotionalen Feuerwerken vieler seiner berhmten Zeitgenossen. Es begann damit, dass ich ein Bild der amerikanischen Fahne malte. Durch die Verwendung dieses Designs sparte ich mir Arbeit, ich musste nichts Eigenes entwerfen. Also nahm ich mir weitere hnliche Dinge vor, etwa Schiescheiben, bestehende Dinge, die wir alle kennen. Dies gab mir den Raum, auf anderen Ebenen zu arbeiten. Zum Beispiel war fr mich die Malerei immer eine Flche; beim Malen in einer einzigen Farbe wurde dies besonders deutlich. Ich gelangte auch zu der Meinung, dass ein Bild von seinem Betrachter keinen speziellen Fokus verlangen sollte, anders als etwa ein Gang zur Kirche. Ein Bild sollte man anschauen wie einen Heizkrper. Im Gegensatz zu den Statements der meisten anderen Knstler im New York der 1950er Jahre waren Johns' Bemerkungen stets frei von modischen Begriffen wie Angst und Zweifel. Er schien seine Sujets bewusst und gezielt im Rahmen einer visuellen und intellektuellen Aktivitt auszuwhlen, losgelst von persnlichen Gefhlen und idealistischen Vorurteilen oder Erwartungen. Jngere Knstler empfanden seine Werke nicht so sehr als kalt und gefhllos, sondern eher als ehrlich und klarsichtig, besonders im Vergleich zu den bersteigerten Ausdrucksformen des abstrakten Expressionismus. Durch seine Darstellung von allgemein bekannten Gegenstnden schien Johns die damals vorherrschende abstrakte Malerei von sich zu weisen. Gleichzeitig besitzen seine Motive, die Flaggen, Zahlen, Zielscheiben, jedoch ein entscheidendes Merkmal der klassischen Abstraktion, nmlich eine Flchigkeit, die sie sozusagen mit der Bildebene eins werden lsst. Die Autorin zeigt, wie es Jasper Johns mit seinem Werk gelingt, die Polaritt zwischen Abstraktion und Reprsentation, die ber Jahrzehnte die Debatte um die moderne Kunst beherrscht hatte, aufzuheben. Mit einem Mal war es nun mglich, die Beziehung der Kunst zur Welt in einem ganz neuen Licht zu sehen. Sie befasst sich auch mit der Frage, wie es kommt, dass Johns im Alter von nur 27 Jahren mit seiner ersten Ausstellung in der Leo Castelli Galerie mit einem Schlag zu einem der bekanntesten Knstler der zeitgenssischen Kunstszene wurde und diese Stellung bis heute beibehalten hat.
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Jasper Johns
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l'poque o l'expressionnisme abstrait, mode de peinture alors dominant, mettait l'accent sur l'expression dramatique travers des coups de pinceaux audacieux et de larges compositions abstraites, les peintures du drapeau amricain, des cibles, des nombres ou de l'alphabet ralises par Jasper Johns apparurent comme une rupture radicale. Froids, silencieux et impassibles, ses sujets, soigneusement tablis, taient en effet bien loin des explosions motionnelles alors en vogue. Tout a commenc avec mon tableau d'un drapeau amricain. Mon choix de ce sujet fut stratgique, car je n'avais prcisment pas l'imaginer. C'est alors que je me suis focalis sur ce genre de choses, comme les cibles par exemple, des choses familires. Cela m'a permis de concentrer ma rflexion sur d'autres niveaux. Par exemple, j'ai toujours pens une peinture comme tant une surface, la peindre en une seule couleur rendait cela vident. Puis, j'ai dcid que regarder une peinture ne devait pas ncessiter une concentration spciale comme, par exemple, assister une messe. On devrait pouvoir regarder une peinture comme on regarde un radiateur. Contrairement la plupart des dclarations des artistes des annes 1950, on ne retrouvait pas dans le discours de Johns les doutes et l'angoisse habituels, et sa slection de thmes avait l'air dlibr, sans dsirs, ni liens affectifs. Cependant, aux yeux des artistes plus jeunes, aprs les excs de l'expressionnisme abstrait, son art tait plus honnte, plus lucide que froid et dnu de sentiments. En choisissant des sujets facilement reconnaissables, Johns semblait rejeter la peinture abstraite. Cependant, les sujets eux-mmes possdaient une caractristique vitale de l'abstraction classique, leur planit, les rendant indiscernables de la surface de la toile. Ce livre souligne comment le travail de Jasper Johns rendit obsolte la polarit entre l'abstraction et la reprsentation qui domina les dbats de l'art moderne pendant des dizaines d'annes, et comment son uvre ouvrit de nouvelles perspectives sur les relations de l'art et du monde. Cette analyse tente aussi de comprendre pourquoi, depuis sa premire exposition la Galerie Lo Castelli, vingt-sept ans, il reste un des artistes majeurs de la scne artistique contemporaine.
click for Full Info on this Jasper Johns
Jasper Johns
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At a time when the dominant mode of painting, Abstract Expressionism, emphasised expressive drama through bold brushwork and largely abstract compositions, Johns' paintings of the American flag, targets, numbers and the alphabet demonstrated a decided departure from convention. Despite being painted with obvious care, they seemed emotionally reticent, cool and quiet, far from the emotional fireworks then fashionable. It all began with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn't have to design it. So I went on to similar things like the targets - things the mind already knows. That gave me room to work on other levels. For instance, I've always thought of painting as a surface; painting it in one color made this very clear. Then I decided that looking at a painting should not require a special kind of focus like going to church. A picture ought to be looked at the same way you look at a radiator. Unlike most artists' statements in New York during the 1950s, Johns' remarks contained none of the familiar talk of doubt and angst, and his selection of subject matter appeared deliberate, thoughtful, and far removed from emotional attachments and desires. To younger artists, his art seemed not so much cold and unfeeling as clear-eyed and honest after the excesses of Abstract Expressionism. Furthermore, in selecting recognisable subjects, Johns seemed to reject prevailing abstract modes of painting, yet his subjects themselves - flags, targets, numbers - each possessed a vital characteristic of classic abstraction, namely, a flatness rendering them all but indistinguishable from the picture plane itself. This book underlines how Johns's work made the polarity between abstraction and representation that had dominated debates about modern art for decades seem suddenly obsolete, opening up other ways of thinking about art's relation to the world. It also tries to understand why, since his first exhibition at the Leo Castelli Gallery at the age of twenty-seven, he has remained one of the major artists of the contemporary artistic scene.
click for Full Info on this The Jasper Project
The Jasper Project
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During the past decade, members of the Cognition and Technology Group at Vanderbilt University have worked with hundreds of teachers and thousands of students throughout North America in the context of the Adventures of Jasper Woodbury problem-solving series--12 videodisc-based adventures plus video-based analogs, extensions, and teaching tips designed to improve the mathematical thinking of students from grades 5 and up, and to help them make connections to other disciplines such as science, history, and social studies. The experience of developing the Jasper series, testing it in classrooms, and re-designing it based on feedback provided The Cognition and Technology Group at Vanderbilt with extraordinarily rich opportunities to learn from teachers, students, parents, administrators, and other community members. This book was written for two reasons. First, it helped the authors to organize the thoughts and experiences of over 70 members of the Learning Technology Center who worked on the Jasper project, and to collaboratively reflect on their experiences and relate them to the broader literature in cognition and instruction. Second, this book gives others a change to learn from the experiences of the Cognition and Technology Group at Vanderbilt. The book is anchored around their experiences with Jasper, but the issues explored are relevant to any attempt to improve educational practice. This book tells a coherent story that helps readers explore issues of curriculum, instruction, assessment, and teacher learning (professional development) within a single context ( Jasper ) and how all these topics are interrelated. It also helps readers see the relevance of research programs for improving educational practice. Throughout, the need for maintaining a balance of laboratory and classroom research is emphasized.
click for Full Info on this Prastar Jasper Bracelet
Prastar Jasper Bracelet
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Is the oldest rolling stone retiring Not a chance. Why would anyone retire after centuries of rocking out if they're still in the prime of their career And yes, I said centuries. That's because I'm not talking about an aging musician. I'm talking about the stone that has been rolling through history perhaps longer than any other: Jasper. Mentioned numerous times in the Bible, jasper was said to be a direct gift from God. The Ancient Egyptians wore jasper to increase positive energy. In India it was believed to be a rain stone, bringing water during droughts. And to this day, jasper shows no signs of collecting moss. It's still highly sought after, although less for its mystical properties. Nowadays it's jasper's smooth, natural beauty that attracts attention. And that's just what we're offering with our Prastar Jasper Bracelet. Each of the 21 individual fancy jasper shards has been shaped and polished, giving the entire one size fits all expandable 8'' bracelet a shine to be envied. From speckled violet to deep forest green, jasper's vast array of colors and patterns is on full display here, demonstrating its ability to be absolutely unique and beautiful all at once. The Prastar Jasper Bracelet is definitely one of this stone's greatest hits!

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Engine Jasper Articles
  • M360TestFord 4.6L/5.4L 3-Valve VVT Oil Pump Update « Jasper Engines Above: The normal OE pump, with an aluminum backing plate, leaks oil at 2,500 rpm compared to the JASPER pump with a cast iron backing plate. Click on the hyperlink to view the video: http://youtu.be/6QPahVJJqFw Below:&nbsp...
  • 2014 JASPER Rolling Showcase2014 Scheduled Car Shows & Performance Events « Jasper Engines JASPER's Rolling Showcase will make at least eight appearances at high-profile vehicle shows and overall performance events from April through October. Jasper Engines &amp Transmissions will be on the road for 2014 celebrating more than&nbsp...
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  • Subscribe to Blog RSS FeedRe-Release of the JASPER Remanufactured Toyota 1MZ-FE 3.0L ... JASPER is pleased to announce the re-release of the Toyota 1MZ-FE three.0L DOHC engine. JASPER's High quality and R&ampD Team are continuously looking for methods to boost new AND existing items. As a 100% Associate-Owned&nbsp...
  • Jasper releases remanufactured GM engines | Equipment content ... Jasper Engines &amp Transmissions is offering remanufactured late-model General Motors 5.3L V8 engines for several automobiles. The engines are available for 2010-2013 Chevrolet Avalanche, Tahoe, Suburban, Colorado and&nbsp...
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  • Subscribe to Blog RSS FeedWeller-Jasper Joint Press Release « Jasper Engines For Immediate Release. November four, 2013. Weller-Jasper Joint Press Release. John Weller of Weller Truck Parts, and Zach Bawel, President of Jasper Engine and Transmission Exchange announced a letter of intent to buy Weller Truck&nbsp...
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